If Masochism is Self-Hate…Now What?


I just don’t know. Tonight, I’m almost positive my masochism is just another form of self-harm. How could it not be with the depth of my self-loathing?!

If it is simply another way to express self-hate, is that unhealthy? …I think so… but maybe not…

Fringe_Olivia stressed

If it is unhealthy, where does that leave me? This curse has been inside me since I can remember. My mom suggested sex therapy, to manually learn to enjoy vanilla intimacy more than kink but… I don’t think that will work. So, now what?! A life with no sexual pleasure because intimacy is unhealthy for me because sex equals violence because I really, really, really think I deserve violence?!

 ALSO, TO GO OR NOT TO GO TOMORROW?!?!?!?!

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In a Fog


Today will be interesting. I have a paper to write by midnight and I got less than 4 hours of sleep last night. THANKS insomnia and anxiety!

insomnia_fringe_olivia

 

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The Evolution of Olivia Dunham


Season 1: (blue)

my first gif

Olivia is serious. She is driven. She does not trust easily and often hides her feelings. She is intuitive and smart. She is good at her job. She is brave. Once she learns about Walter and William Bell’s child experiments and her part in them, she is hurt, scared of herself, and angry at them.

 

Season 2: (blue mostly, travels to red in the last 2 episodes)

imageedit_7_3231508463

She is still guarded (What Lies Below e12, kind of). She is really hard on herself (Grey Matters e10, e14,). She is strong (Bell, first meeting flashback Jacksonville e14), but impatient (Weis, bowling lessons). She wants to be self-sufficient, to do it all on her own (Weis, bowling lessons). She hates her human weakness/ too strong emotions (Grey Matters e10). She does not share her feelings easily; she tries to shield her loved ones (What Lies Below e12), really she wants to protect everyone (Olivia…the Revolver. e16, Brown Better e19, Northwest Passage e20). She is self-sacrificing (What Lies Below e12). She has a good memory, but can’t remember the illegal experimentation she experienced as a child (Jacksonville e14).She does not feel fear anymore; she feels angers, which makes her good at her job (Jacksonville e14). Intimacy scares her; she has trouble forming relationships (e14). She has insomnia and constantly goes over her choices again and again, beating herself up over them (Olivia. In the Lab. With the Revolver. e16). Family is the most important thing to her (Over There: Part 1 e21 – spending her last night with Rachel and Ella and going to the hostile Other Side without a plan to save Peter). “She is always trying to make up for something, right some imaginary wrong” (e22). She switches to begging rather quickly! Then again, who knows what anyone would do when trapped in a strange, hostile universe alone (e22).

 

Season 3: (alternating blue/red, last episode is gray for accelerated, but original timeline)

sunrise

She is spirited. People are always portrayed as talking back, but I don’t know if that is the smartest course of action when someone is trying to break you. I suppose it depends on the situation. If they are trying to get information out of you through torture, that may be smart because it may provoke them to kill you, but if they’re trying to brainwash you into believing a lie, it may be smarter to play along relatively soon. However, the first day would be rather quick and we don’t know how much time passed. (e1) Olivia grows a lot in her ability to trust. Furthermore, by the end, she trusts herself a little more. She is able to tell Peter she loves him!

 

Season 4: (Amber) – re-set timeline, without Peter, after he went in the machine. Fringe_Olivia saves that double agent char

Never having met Peter, even as a child, Olivia is harder, more caustic, less compassionate. For example, she is tough with Lincoln after his partner dies. She also antagonizes Fauxlivia…except for Walter…She is maybe even better with Walter. I assume because it is only her and Astrid taking care of him, not Peter. Eventually she recovers original timeline Olivia’s memories.

 

Season 5: time jump 24 years in the future

Fringe_olivia surprised

Things are strained between Peter and Olivia because when the Observers invaded and kidnapped their daughter, Peter refused to stop looking and left Olivia. On the other hand, after searching, Olivia grieved for her daughter, but joined Walter and Astrid in attempting to stop the Observers. As a result of Peter leaving Olivia, she regresses a little bit in her inability to trust. She also finds seeing her adult daughter awkward. Of course she loves Etta, but Olivia was stuck in amber for 20 years. As far as she was concerned, 3 year old Etta disappeared without a trace only months ago. Now Olivia has to adjust to the idea of her daughter as an adult. Furthermore, like the others Olivia not only missed out on Etta’s childhood, but also missed out on all world developments for the past 20 years. The world is strange, even compared to the world they knew. Peter seems to adapt to adult Etta better than Olivia, but he always had an easier time with emotions. In the end, Olivia and Peter reconcile and turn to each other for comfort.

Change is Good: Over the past 5 years, Olivia has undergone an immense transformations. The time jump caused some regression in her emotional development; nonetheless, she blossomed at Fringe division. She remains rather serious, but her smile comes easier. She (understandably) has trust issues, but she learns to let herself be vulnerable. She conquers her fear of letting someone into her heart. She accepts her flaws and she accepts her past. Olivia is not perfect; after all, she is human, but she made a lot of progress.

Fringe_olivia run fingers through hair

Non-Violent Communication? Here? LOL!


Emotions are running high lately because of me.

A half hour ago…

Mom: “When are you planning on getting up?”

Me: “Soon.”

Mom: “You’ve wasted almost half the day already.”

Me: “I’m planning on getting up soon.”

Mom: *attempts to slam door* (It won’t slam because it is already broken – not by me)

Me: *sighs and starts getting up*

Meanwhile down stairs I hear thrashing, banging, pots hitting the ground, and possibly china…more things thrown on the ground…”

Fringe_Peter hit head bang

Me: “Are you throwing a temper tantrum like a child or are you trying to wake me up? I can’t decide.”

Mom: “I’m NOT trying to wake you up.”

*banging stops, so I venture downstairs*

As I eat Mom is stomping around and sighing heavily.

Me: “When I start working, can you please stop throwing things or I can leave the house.”

Mom: “Working? You’re not working.”

Me: “Yes, but when I start studying can you please stop throwing things and slamming doors?”

Mom: “Yes.”

Me: “Thank you.”

Ha, I realize I’m a tough person to deal with, but seriously?! What are you, 5 years old?I’m beginning to think the woman has anger issues outside of dealing with a mentally ill daughter. Usually I would say more mean things right back, but I’m very serene this morning. I suppose it is because I just woke up. It was sweet, I didn’t get angry feeling her anger.

I can also see more of why my brother and I developed our coping skills. Mom throws things and yells when she is upset. Dad refuses to speak to you or runs away and on rare occasion hits. My brother, I have no idea what he does! He withdraws like my dad and I, but somehow he remains calm. I guess it is because he remains detached somehow? I withdraw and hide my emotions to, but I can’t hold them in like my brother. I’m not sure why, maybe I’m weaker or maybe his detachment is real and he just doesn’t care. I get caught up in the emotions of people around me; he does not. I don’t let them see my emotions because I’m afraid of their reaction. Yet, they fester inside me and I must lance their wounds. So, I cut myself, starve, binge, purge, or let someone else hurt me to erase the emotions. (The interchangeability of these mechanism is why I fear masochism is secretly an unhealthy coping mechanism for me and not just a sexual proclivity.) It is like letting air out of a balloon that is about to burst from being too full of air, instead of letting it pop.

Scoop: Anna Torv Eyes TV Return as Jennifer Jason Leigh’s Lover in Ryan Murphy’s Open


And the only reason I’m watching Open on HBO is…Anna Torv. 😉

TVLine

Anna Torv Open HBOAnna Torv is entering a new alternative universe: The former Fringe star is joining Ryan Murphy’s sex-and-relationships pilot Open as the lesbian lover of Jennifer Jason Leigh, TVLine has learned.

RELATED | 30 Actors TVLine Readers Want Back on TV Now

The provocative script, which was penned for HBO by Murphy and Dexter co-executive producer Lauren Gussis, revolves around five characters.

Torv will play Windsor, a yoga instructor in a longterm relationship with Holly (Jennifer Jason Leigh), but upon meeting Grace (casting TBD) feels an instant connection. They join the previously cast Scott Speedman and Wes Bentley.

[pmc_twitter_followme username=”MichaelAusiello”]

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Screw Writing Strong Women


Complicated women3 women who kick asswomen who cry women who want but don't need

The OP makes a wonderful point! Writers should create real women! They should also write real men. Human beings are complicated. It really hit home for me because I realized I sometimes judge unfairly. For example, while re-reading Legend of the Seeker, all the difficult, stressful events Kahlan faced struck me. Maybe she cries a lot and maybe there are other women in the story who are in similar situations and do not cry, but no other woman in the series had the same burden. Kahlan essentially ruled numerous countries and felt responsible for the people of all those nations. Furthermore, she was the last of her kind, Confessors. Kahlan and other women like Olivia can be strong, powerful, and brave, even while crying.

One of the best things about Game of Thrones is that the characters, women included, are complicated! They neither “good” nor “bad”. They are a mixture; they are human. They have weaknesses and strengths. Sometimes they do “the right thing”, but not always. In contrast, Richard Cypher/ Rahl is almost perfect. I’m having difficulty thinking of a time when he made a mistake or did the immoral thing. The only event that comes to mind from 14 about 1,000 page books is when he felt betrayed by Kahlan for enjoying sex when she thought it was his brother. While I can understand why he felt betrayed, he almost refused to return to the land of the living! First of all, the sex wasn’t with Drefan, it was with him. Who knows if she would be aroused by him. Second, she did not enjoy it. She equated it to rape. Third, she had no choice. She detested the first time, but acquiesced because the spirits demanded it. She waited for the spirits to come take Richard to the Temple of the Winds. When they did not, she realized she had to enjoy it. So, she worked to get over her mental block (losing her “virginity” to Drefan, not Richard/ having sex with anyone other than Richard) and did what she needed to, in order to climax. If she hadn’t, the spirits would never open the door for Richard to the Temple of the Winds. Fourth, people have involuntary physical reactions to stimuli. So, while I think he had the right to be angry, I think he did not fairly look at the situation and her predicament.

In fact, one of my favorite characters in the Whedonverse is the one who changed the most over their series: Spike. He went from pure evil, to starting to care about Buffy, to attempting to rape her, to recognizing his soullessness, to being the one person Buffy turns to when she is alone, and finally (in Buffy) to sacrificing himself to save the others. Even at his best, Spike it not one-dimensional. He has quirks, flaws, and positive attributes.

I know many of you write fanfiction and some of you want to write your own stories. Please write complicated women and men and don’t lose a character’s humanity while trying to defy stereotypes.

Pictures and original post via http://wildheart71.tumblr.com/post/67892540097/screw-writing-strong-women-write